We received our Red Epic cameras and immediately put them into use. Shooting green screen and location interviews within the first week. We even had a chance to experiment with HDR. All in all a fun time so far.

Our first hands on with Red Epic at NAB 2011 (note the huge grin on our CEO's face). Ted Schilowitz looks on.

Red was cool enough to give us Serial Numbers 15 and 16 as a homage to our original Red One cameras. Pictures and a real report from the field coming soon. We are still waiting for our hand grip and Canon mounts which will be helpful in EFP (electronic field production) and ENG (electronic news gathering).

 

 

Welcome to Shoot With RED. We just migrated our dedicated RED Camera website, shootwithred.com to Word Press! Check back often in the next few weeks while we migrate some of our older posts and add our take to the exciting news happening in the RED camp. In the meantime, check our Video Resources Inc website for info about our Red packages and other services.

Best wishes,

The VRi Crew!

 

Being part of the first group that were lucky enough to get their RED Cameras on day one (as in August 2007) made us all feel like pioneers or explorers. Shooting some of the first public images with the RED ONE camera was exhilarating. Remember that there was no audio, it only shot 4K and only at 23.97, and there were no working EVF’s.

The day after delivery, we wasted no time and I was lucky enough to be invited to be part of some initial testing that was organized at Chapman College by Brook Willard, and Evin Grant. Jared Land even made an appearance, dropping off a lens for us to play with. Now that I think of it, I guess Scott Webster (#23) and I (#15 & #16) were invited because we had the cameras!

Behind the scenes of RED shooting, September 1st at Chapman Studios in Orange, California.

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