A great crew and proper pre-production made for another successful RED Camera shoot in nearby Irvine, CA. We had five executive interviews scheduled in two locations, and wanted to achieve four looks in 4 hours so pre-pro was essential.

This shoot was a great example of using the right resources to be economical, efficient and professional. A proper scout, load in and pre-light on Friday helped to make the Monday shoot go extra smooth and reminded us all about the benefits of being prepared.

Most of the shoot was directed interview style (our preference with non-professional talent), however, we used a prompter for a one scene. As an aside, our new prompter worked well and we were able to divert the usual expense of hiring an outside tech and gear towards acquiring the additional assets we needed to add another prompter to our arsenal. Also, the budget didn’t allow for makeup, but since we had high profile executive talent, Jamie stepped in an did a brilliant job with the “powder kit”.

The proof is in the pudding as they say. Here is a frame grab from our shoot.

Frame grab R3D camera media

Click to see larger JPEG version

Tip: To add production value, we added background elements to add interest. The painting in the background was suspended with fishing line off a c-stand. Gotta love good depth of field control!

What we used for the shoot: RED ONE Camera, SN#15 RIPLEY, Red Drive, Red 18-85 zoom, Kinoflo & Arri lights. Project stat: No filters, 24FPS, 4K, ISO 320

 

Our RED ONE camera systems have been busy!

All of our RED systems have been busy and so have we. Since taking delivery in August, our cameras and crews have contributed to features, national and regional commercials, indie features, and corporate productions.The camera packages can be built to your specific needs and all rentals include our personal, professional service.

The list below is a portion of our current inventory.

RED ONE camera body
RED EVF – electronic viewfinder
Shoulder dovetail support and cheese plate
Deluxe production and rail pack
Focus hooks and lens light
19 mm rods – various lengths
15 mm rod adapter and rods
VRi custom breakout box
Custom shipping cases for batteries
Custom shipping cases for camera and accessories
RED A/C power supply
140 Watt Lithium Ion RED V-Lock bricks
RED 18 to 50 mm zoom lens, T2.8
RED 300 mm, T3 prime
Vocas MB-4XX matte boxes and focus whips
Chrozeil matte boxes and dual side follow focus
Formatt, Harris, Tiffen and Schneider filters
Panasonic HD field and studio monitors
O’Connor and Sachtler camera support
…and more

We didn’t want to play favorites so both of our named cameras Ripley and Connor, have been equipped the same. No jealously around here.

If you want to rent a RED ONE, call us at 800-261-7266.

 

Being part of the first group that were lucky enough to get their RED Cameras on day one (as in August 2007) made us all feel like pioneers or explorers. Shooting some of the first public images with the RED ONE camera was exhilarating. Remember that there was no audio, it only shot 4K and only at 23.97, and there were no working EVF’s.

The day after delivery, we wasted no time and I was lucky enough to be invited to be part of some initial testing that was organized at Chapman College by Brook Willard, and Evin Grant. Jared Land even made an appearance, dropping off a lens for us to play with. Now that I think of it, I guess Scott Webster (#23) and I (#15 & #16) were invited because we had the cameras!

Behind the scenes of RED shooting, September 1st at Chapman Studios in Orange, California.

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